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A review of Denis Villeneuve's Arrival (2016).
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Update your browserThrough reviews and longer articles, ArteFact keeps a finger on the pulse of how our culture is reflecting on itself.
Film Fiction Theatre Music PoetryA review of Denis Villeneuve's Arrival (2016).
Daniel Taylor’s three mystery novels—Death Comes for the Deconstructionist (2014), Do We Not Bleed? (2017), and Woe to the Scribes and Pharisees (2020)—are real page-turners. They deliver suspenseful plots, delight by rich allusions, and challenge through thoughtful explorations.
A Review of Tim Winton's The Shepherd's Hut.
By all normal “rules” of the world of television, a sitcom about the afterlife and moral philosophy should not have worked, but it did, not least because the writing is quick, clever, and smarter than most anything I’ve seen.
A Review of Edwin O'Connor's The Edge of Sadness.
More often than not, the modern memoir proves to be a survivor’s field notes on the loss and reconstitution of self: a lush, gory, or strident examination of a protagonist’s memories—and an antagonist’s sins. So when we pick up a memoir, we assume we will find these two central characters... The first clue that Ron Hansen’s Hotly in Pursuit of the Real: Notes Toward a Memoir is something different to this is its borrowed title...
A Review of Trevor Jimenez’s Weekends.
A Review of Ann Patchett's The Dutch House.
A Review of Netflix's Messiah.
A Review of Greta Gerwig's Little Women (2019).